²ÐÒÓÀËÜÍÀ ÀÍÒÎËÎÃ²ß ÏÎÅDz¯ ÍÜÞ-ÉÎÐÊÑÜÊί ÃÐÓÏÈ


ÁÎÃÄÀÍ  ÐÓÁ×ÀÊ

(1935)

Á³î-á³áë³îãðàô³÷íà äîâ³äêà



ÁÎÃÄÀÍ  ÐÓÁ×ÀÊ

Áîãäàí Ðóá÷àê íàðîäèâñÿ â ãàëèöüêîìó ì³ñòå÷êó Êàëóø³, â ðîäèí³ êîîïåðàòîðà. ϳä ÷àñ äðóãî¿ ñâ³òîâî¿ â³éíè åì³´ðóâàâ ç áàòüêàìè äî ͳìå÷÷èíè, äå ñïåðøó æèâ ó Êàóôáîéðåí³, à ïîò³ì ó ijëë³í´åí³. Ó 1948-îìó ðîö³ ïåðåñåëèâñÿ ç ìàò³ð’þ äî ׳êà´î, â ÑØÀ, äå æèâ ³ â÷èâñÿ äåÿêèé ÷àñ. ϳçí³øå ïåðå¿õàâ äî øòàòó Íüþ-Äæåðç³, çäîáóâ äîêòîðàò ³ç ïîð³âíÿëüíî¿ ë³òåðàòóðè â Ðàò´åðñüêîìó óí³âåðñèòåò³, äå é âèêëàäàâ. Ïîâåðíóâøèñü äî ׳êà´î, ïðàöþº ïðîôåñîðîì ïðè ²ëë³íîéñüêîìó óí³âåðñèòåò³.

Êð³ì ïîå糿, Ðóá÷àê çàéìàºòüñÿ ë³òåðàòóðîçíàâñòâîì ³ êðèòèêîþ. Íàäðóêóâàâ ðÿä ïðàöü ³ç öèõ ä³ëÿíîê â óêðà¿íñüê³é é àíãë³éñüê³é ìîâàõ. ³í òàêîæ º ñï³âóïîðÿäíèê (ðàçîì ³ç Áîãäàíîì Áîé÷óêîì) àíòîëî㳿 óêðà¿íñüêî¿ ïîå糿 íà Çàõîä³ “Êîîðäèíàòè” â äâîõ òîìàõ (Â-âî “Ñó÷àñí³ñòü”, Ìþíõåí, 1969). Çà ñâîþ ïîåç³þ ³ ë³òåðàòóðîçíàâ÷ó ïðàöþ îòðèìàâ äâ³ ïðå쳿 “²âàíà Ôðàíêà” â ׳êà´î (1982 ³ 1986) òà ïðåì³þ “Ïàâëà Òè÷èíè” (Êè¿â, 1993) çà îñòàííþ ïîåòè÷íó êíèãó, ùî ïîÿâèëàñÿ 1991-îãî ðîêó ó Â-â³ “Äí³ïðî”.

Áîãäàí Ðóá÷àê º ÷ëåíîì Íàö³îíàëüíî¿ Ñï³ëêè Ïèñüìåííèê³â Óêðà¿íè.



ÒÂÎÐײÑÒÜ  ÁÎÃÄÀÍÀ  ÐÓÁ×ÀÊÀ

ÏÎÅDzß

Êàì³ííèé ñàä (Íüþ-Éîðê–׳êà´î, 1956)
Ïðîìåíèñòà çðàäà (Íüþ-Éîðê–׳êà´î, 1960)
ijâ÷èí³ äåç êðà¿íè (Íüþ-Éîðê–׳êà´î, 1963)
Îñîáèñòà Êë³î (Íüþ-Éîðê, 1967)
Êðèëî ²êàðîâå – íîâ³ é âèáðàí³ ïîå糿” (Ìþíõåí–Íüþ-Éîðê, 1983)
Êðèëî ²êàðîâå (Êè¿â, 1991)


вÇͲ ÂÈÄÀÍÍß

dzáðàí³ òâîðè, Áîãäàí ²ãîð Àíòîíè÷, ñï³âóïîðÿäíèê ³ç Ñâÿòîñëàâîì Ãîðäèíñüêèì (Â-âî “Ñëîâî”, Íüþ-Éîðê, 1967)
Êîîðäèíàòè, àíòîëîã³ÿ ñó÷àñíî¿ óêðà¿íñüêî¿ ïîå糿 íà Çàõîä³, òîì ² ³ ²², ñï³âóïîðÿäíèê ³ç Áîãäàíîì Áîé÷óêîì (Â-âî “Ñó÷àñí³ñòü”, Ìþíõåí, 1969)
Studies in Ukrainian Literature (in “The Annals of the Ukrainian Academy of Arts and Sciences”, UVAN, New York, 1986)


ÂÀÆËȲز ÑÒÀÒÒ²

Shevchenko’s Profiles and Masks (in “Shevchenko and the Critics”, Ed. G. S. N. Luckyj, University of Toronto, Toronto, 1981)
The Music of Satan and the Bedeviled World (in Mykhajlo Kotsjubyns’kyj “Shadows of Forgotten Ancestors”, trans. M. Carynnyk, Ukrainian Academic Press, Littleton, 1981)
Reveries of the Earth : Three Slavic Versions (in “Poetica Slavica : Studies in Honor of Z. Folejewski”, Ed. Clayton Schaarschmidt, The University of Ottawa, Ottawa, 1981)
Homes as Shells : Ukrainian Émigré Poetry (in “New Soil – Old Roots : The Ukrainian Experience in Canada”, Ed. J. Rozumnyj, UVAN, Winnipeg, 1983)
Taras Shevchenko as an Émigré Poet (in “In Working Order : Essays presented to G. N. S. Luckyj”, Ed. Ralph Lindheim, CIUS, Edmonton, 1990)
Because We Have No Time : Recent Ukrainian Poetry (journal “Agni”, Nr. 33, 1991)
˳òåðàòóðíà êðèòèêà Ñåðã³ÿ ªôðåìîâà (in “125 ðîê³â êè¿âñüêî¿ àêàäåì³÷íî¿ òðàäèö³¿, 1861-1986”, UVAN, New York, 1993)
From Strength to Strength : Observations on Hryhorij Skovoroda and Vasyl Barka (in “Hryhorij Savych Skovoroda : An Anthology of Critical Articles”, Ed. Marshall and Bird, CIUS, Edmonton, 1994)
Êàì’ÿí³ áàáè ÷è Ñâ³òîâèä (æóðíàë “Ñâ³òî-Âèä”, ÷èñëî 23, Êè¿â–Íüþ-Éîðê, 1996)
Ïîòàëà íåùàäíèõ ñïðàã – Ïðî ðàííþ ïîåç³þ Ìàëàíþêà” (æóðíàë “Ñâ³òî-Âèä”, ÷èñëî 29, Êè¿â–Íüþ-Éîðê, 1997)


Ðîìàí Áàáîâàë, 2003


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