²ÐÒÓÀËÜÍÀ ÀÍÒÎËÎÃ²ß ÏÎÅDz¯ ÍÜÞ-ÉÎÐÊÑÜÊί ÃÐÓÏÈ


ÌÀÐÊÎ  ÖÀÐÈÍÍÈÊ

(1944)

Á³î-á³áë³îãðàô³÷íà äîâ³äêà



ÌÀÐÊÎ  ÖÀÐÈÍÍÈÊ

Ìàðêî Öàðèííèê íàðîäèâñÿ â Áåðë³í³. ϳñëÿ â³éíè ïåðåáóâàâ ç áàòüêàìè â ïåðåñåëåí÷îìó òàáîð³ ijϳ, â Àâ´çáóðç³. Ó Ô³ëÿäåëüô³¿ (ÑØÀ), êóäè ïåðå¿õàâ ç áàòüêàìè, â³í çàê³í÷èâ ñåðåäíþ îñâ³òó é âèùó øêîëó. Ñòóä³þâàâ àíãë³éñüêó ë³òåðàòóðó â Ïåíñèëüâåíñüêîìó óí³âåðñèòåò³. ϳä ê³íåöü ø³ñòäåñÿòèõ ðîê³â ïåðå¿õàâ äî Òîðîíòà, â Êàíàä³, äå æèâå é ïðàöþº ÿê ïåðåêëàäà÷ ³ ïóáë³öèñò.

Ìàðêî Öàðèííèê — ºäèíèé ñåðåä ÷ëåí³â Íüþ-Éîðêñüêî¿ Ãðóïè, ÿêèé äî íèí³øíüîãî äíÿ íå âèäàâ æîäíî¿ ïîåòè÷íî¿ êíèæêè (õî÷à â éîãî àðõ³âàõ äîñ³ çáåð³ãàþòüñÿ ÷åðíåòêè çá³ðêè “Ïàä³ííÿ ñâ³òëà”). Âèñëîâëþâàâ ñâîþ ïîåòè÷íó ñàìîáóòí³ñòü âèêëþ÷íî â ë³òåðàòóðí³é ïåð³îäè÷í³é ïðåñ³ é ïî çá³ðíèêàõ íà Çàõîä³. Çàòå, êð³ì ë³òåðàòóðîçíàâ÷èõ ³ ô³ëüìîçíàâ÷èõ ñòàòòåé, â³í ïåðåêëàâ ÷èìàëî óêðà¿íñüêèõ ìèñòåöüêèõ òâîð³â íà àíãë³éñüêó ìîâó é äåê³ëüêà ç íèõ âèäàâ îêðåìèìè êíèãàìè. Â³í — ÷ëåí Íàö³îíàëüíî¿ Ñï³ëêè Ïèñüìåííèê³â Óêðà¿íè.

Ìàðêî Öàðèííèê äåáþòóâàâ íà ñòîð³íêàõ “Ñó÷àñíîñòè” (Ìþíõåí) â 1963-îìó ðîö³. Çãîäîì ãóñòî äðóêóâàâñÿ, ÿê ñêàçàíî âèùå, â óêðà¿íñüê³é ïåð³îäèö³ Çàõîäó — äî 1985-îãî ðîêó. ³äòàê ïîåòè÷íî çàìîâê. Ïî íèí³øí³é äåíü.



ÒÂÎÐײÑÒÜ  ÌÀÐÊÀ  ÖÀÐÈÍÍÈÊÀ

ÏÎÅDzß

Àâòîð íå âèäàâ æîäíî¿ ïîåòè÷íî¿ çá³ðêè. Äðóêóâàâ ñâî¿ â³ðø³ âèêëþ÷íî ïî çá³ðíèêàõ ³ â ïåð³îäè÷í³é ë³òåðàòóðí³é ïðåñ³ íà Çàõîä³.


вÇͲ ÂÈÄÀÍÍß

Ñâ³÷à â ñâ³÷àä³ – ïîå糿, Âàñèëü Ñòóñ, ñï³âóïîðÿäíèê (ç Â. Áóðãàðäòîì) ³ àâòîð ïåðåäìîâè, Â-âî “Ñó÷àñí³ñòü”, Ìþíõåí, 1977


ÏÅÐÅÊËÀÄÈ

The Poet As Filmmaker – selected writings (Ïîåò ÿê ô³ëüìîòâîðåöü – âèáðàíå), Îëåêñàíäåð Äîâæåíêî, Cambridge-London, 1973
Cataract (Á³ëüìî), Ìèõàéëî Îñàä÷èé, New York-London, 1976
History’s Carnival (Ó êàðíàâàë³ ³ñòîð³¿), Ëåîí³ä Ïëþù, New York-London, 1977, 1979
Shadows of Forgotten Ancestors (Ò³í³ çàáóòèõ ïðåäê³â), Ìèõàéëî Êîöþáèíñüêèé, Littleton, 1981
The Madonna of Chornobyl (×îðáèëüñüêà ìàäîííà), ²âàí Äðà÷, äâîìîâíå âèäàííÿ, Toronto, 1988
Crowning the Scarecrow (Êîðîíóâàííÿ îïóäàëà), ²ãîð Êàëèíåöü, äâîìîâíå âèäàííÿ, Toronto, 1990
A Kingdom of Fallen Statues, Îêñàíà Çàáóæêî, ïåðåêëàäíà çá³ðêà ïîåç³é òà åñå¿â, Toronto, 1996
Two Lands, New Visions : Stories from Canada and Ukraine, àíòîëîã³ÿ ìàëî¿ ïðîçè óêðà¿íñüêèõ ïèñüìåííèê³â, ñï³âïåðåêëàäà÷ ³ç Ìàðòîþ Ãîðáàíü, Toronto, 1999


Ðîìàí Áàáîâàë, 2003


© Ìàðêî Öàðèííèê — àâòîð â³ðø³â.
© Ðîìàí Áàáîâàë — óïîðÿäíèê ³ðòóàëüíî¿ Àíòîëî㳿 ³ ðåäàêòîð Web-ñòîð³íêè.

         
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