Born in Prijedor, Bosnia-Herzegovina on 16 October 1973.
Lives in Belgium (Europe) since the beginning of 1993, Antwerp.


Azra hasn't enjoyed an artistic education and therefore she calls herself an autodidact.

 

Content of the artwork and personal motivation

The confrontation with a new culture and a different economic system leads to confusion, but at the same time wonder: a contact with that is much colder, a colour palette you can hardly call coloured.
Throwing away and buying anew is the norm. “My God, what am I doing here, is this the promised land, what a mess, how ugly.”
A culture that inclines to decadence, threatens to die in its own dirt, becomes buried by its garbage. Waking up on a rubbish-dump gives a feeling of discomfort, but it also excites.
The wonder about the unknown gives the possibility to look upon things out of their context. Aversion does the same. Rules about beauty are of no consequence, utilities get a new function, fashion has no meaning.
The forced move to another society leads to resistance, brutal or subtle. “I hang a bicycle-lock around your neck, beautiful, isn’t it ?”
The feeling of self-esteem and personal beauty cries out for recognition in a situation of isolation and displacement. Recognition that, through a lack of communication, can only be found by one-selves.
Incomprehension, denial, prejudice and being surrounded by ugliness leads to the creation of a new world, a new beauty build upon a basis on which no-one dares to lean.

The collection exists mainly of neck-ornaments in diverse materials.
The choice of material is reached by coincidence, by visual perception of the surroundings.
A sharp eye for the seemingly useless objects often delivers the base materials for new creations, whereby the process of taking the original function out of its context is a vital part. The purity of the material becomes, by a simple technique, an ornament or necklace.
No use of soldering, acids or other preparations. Even if the artist didn’t want to add a story to his or her artwork and rather concentrate on the material and the working process, then still he tells a story. About simplicity or about the organic evolution of a product.

Giving an answers to the question why these things have the form they posses is extremely complex. Sometimes a forced situation gives support to the artist. Over-consumption, throw away society, earth pollution, these are facts where upon artists react by the use of material that has already been used.

Exhibitions

July/August 1995
November 1996
June 1997
July 1997
September 1997
September 1998


Gallery Hilde Metz in Antwerp.
Art gallery Garemyn inBrugge.
Paradox in Gent-Brugge.
Gallery Indigo in Damme.
Projec Art & Co in Ninove.
Open Ateliers, Antwerp South.

Permanent exhibition in Atelier Gini, Turnhout.



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